photo credit: fiddi1
I was talking on the phone yesterday with a friend of mine, Jacquire King [www.jacquireking.com], and we began discussing the idea of community in the music industry. The whole conversation kind of coincides with my post from a month ago, The People Business. We concluded that most successful music happened when a group of people came together to form a community. The resulting sum was immensely more powerful than what the individual parts could have been on their own. There have been several of these key movements in the history of recorded music that are tied to a decade, a group of musicians/bands, a few key producers, a few key engineers, a few key record labels and/or publishing companies and a geographical location.
Examples include:
photo credit: tpholland
photo credit: nichcollins
Jacquire also brought up Stax Records [www.soulsvilleusa.com], Muscle Shoals Sound Studio [www.muscleshoalssound.org], and Daptone Records [www.daptonerecords.com]. Each one of these companies is unique in that not only are they a part of a community as described above, but they also are companies that take an “all in house” approach. In the case of Stax and Muscle Shoals (both of which are no longer around), a house rhythm section was provided on recording sessions. These companies are also unique in that they have never tried to be all things to all people. Instead they have excelled in offering the best quality content to a niche who are interested in that content.
The point in all of this is that people want a community. People want to feel like they belong to something special. The people in these examples came together because they all had a common interest, and they wanted an outlet to express what they were passionate about. They began playing together, and as a natural occurrence attention was brought to what they were doing.
People as fans also want to feel like they belong to something special. They get attached to a story. They want to be able to retell the story of how a certain musical movement came into existence. People feel compelled to be the first on the scene. They want to be the authority in their social circle for this information.
Now with the internet and social media, this community has taken a whole new shape in the 21st century. As you continue to build your career as an artist or producer, think about your community and how you can actively become involved in it. There are infinitely new ways to propagate a community online built around your music. Pursue your dream purely for the sake of achieving your deepest desires. Focus on forming a social bond with fellow musicians, engineers, producers and other music industry people in your area. Focus on sharing a connection with fans. Create a story.
What do you think? What are some other musical communities/time periods that I didn’t mention here? What ways could you team up with other members of your community, or use social media to help each other gain exposure? Leave comments with your thoughts.
![]()
Although I thought I was back to 100% by last Thursday, turns out I’m not. I will feel well, then suddenly I won’t. I have gotten behind in work, and there is a lot to do. I’m frustrated to the point of biting nails.
Bob Lefsetz made some good points in a recent post. Particularly this quote rang out to me:
The music business will be fine. People will create music and infrastructure will exist to monetize that music. It just won’t look like the system we have now. How will it look? Ask those small, nimble companies starting out, who aren’t worried about protecting their infrastructure.
There are some additional bits of dialogue and links to other goodies worth reading. [lefsetz.com/wordpress/index.php/archives/2008/02/02/quote-of-the-day/]