There are so many magazines, books, and blogs on the subject of producing and recording music. Throughout the years I’ve read my fair share of all these books, often times focusing on each and every technical step to the point of overcomplicating the learning process for myself.

Unfortunately most of these published works put a heavy focus on the “A,B,C’s,” and the “tips and tricks” aspect of record making as if the process of recording can be simplified down to a homogenized operation-with a strict right and wrong attached to that process.

Or that there is some magic bullet that will work for any and all situations. And because some hit record-maker thought up this trick, if you use it, everything the trick is applied to will magically be a hit.

Granted, I have written a few “step-by-step” posts myself, and I think that in the grand scheme of things, there is powerful knowledge and wisdom that can be garnered from learning about the tricks that the hit-makers invented (but you have to understand the theories behind why it works).

But what I really try to shine light on with Producer Notes is the underlying artistic and human qualities within creating and recording music. Every situation has a specific context. Each one of these contexts requires an artistic choice which is congruent with that record, and that artist’s identity and vision. When you understand, really understand, the underlying scientific theories which compose the environment in which you are making these choices, you will realize an empowerment that hit-makers experience every day.

But to get there, ironically, you have to first DO-Learn By Doing

Certainly there is a scientific base point upon which pretty much all recording concepts were invented. But that does not make recording any less of an art form than the underlying scientific base point of music itself makes playing an instrument.

Producing and recording is mostly art, and a little bit science. Approach it that way. Take risks. Think up your own ways to do things. Don’t worry if you’re breaking some scientific theory. And Don’t carbon copy the hit-makers tricks. Study them like a musician studies other musician’s compositions-to better understand music. Record-making should not be cheapened to a “one, two, three” process. There is no “right.” There is no “wrong.” And tricks are not invented to be applied to all things. That also cheapens the trade.

Photo by www.photos8.com. Licensed under a Creative Commons license.